Can a lumen print be comparable to Venice’s present precarious existence? The threatening changes to its existence, like the lumen print, are imperceptible, slow and hidden to the outsider.

I was struck by how many visitors come to Venice to mourn it: to see it before it “dies” and mourn its loss, when really there is nothing to mourn and everything
to save.

︎British Council



Installation shot for Into the Labyrinth in 2017 at International 3. This exhibtion was a showcase of different interpretations of Venice. Varied from photographic, sculptural and drawing. All of the people involved were part of the fellowship and worked in the British Pavillion during the Biennale.

Venice Research Fellowship with British Council 2017

Corridor8 review and British Council